|
Mercury,
January/February 1998 Table of Contents
Jeffrey
F. Lockwood
Sahuaro High School
What
could be more basic to astronomy education than light?
Some
say nature's colors are beyond human mimicking, that the artist's
hand, no matter how skilled, cannot duplicate the hues of a simple
rainbow. The universe, too, seems filled with objects that no artist
could have ever conceived. Those Hubble Space Telescope images of
the Eagle and Cat's Eye nebulae captured objects so striking that
it's hard to believe they exist. But how do we teachers guide students
from the ooohs and aaahs to a deeper understanding of color?
For
openers, students can see light rays. Well, actually, they can't,
unless you shake chalk dust into the air as you aim your trusty
laser at the ceiling. Other simple tricks of this sort can reveal
the nature of color. The invention of the holographic diffraction
grating has made it easy to investigate the rainbow of the visible
spectrum. One grating taped on an overhead projector or to the lens
of a slide projector will give a bright, large continuous spectrum
on a white screen. You need to pass the light through a slide made
from a file folder with a quarter-inch slit cut in it.
Students
can build their own spectrum projectors. It requires a cardboard
box with a 200-watt light bulb and a couple of cardboard tubes with
diffraction gratings and convex lenses attached. You can buy the
kits from Learning Technologies or build your own with their gratings
and plastic lenses from Edmund Scientific. Students can then investigate
the action of filters and the addition of colors. They can also
study emission spectra by replacing the 200-watt light with a hydrogen
tube and making the room very dark.
The
relationship between color and temperature is important for understanding
stars. Students can project a spectrum onto a "colorometer,"
which is just a series of paraffin blocks with aluminum foil separating
them. The contraption demonstrates that not all the colors in the
light-bulb spectrum have the same intensity. The brighter yellow-green
portion of the spectrum penetrates the paraffin to a far greater
depth than the dimmer red or blue light. Students can draw a blackbody-like
curve on a piece of overhead plastic when looking down on the blocks.
If you attach a rheostat to the bulb and slowly dim it, students
can watch the peak of the curve move toward the red. Students can
even assign a temperature to their diagrams by inserting a thermometer
into the box for a few minutes. It's a rough approximation, but
works fairly well. The class can compare these diagrams to more
conventional blackbody diagrams.
Of
course, learning about the visible spectrum while ignoring the rest
of the electromagnetic spectrum would be like learning about the
Sun and then ignoring all the other stars. One good tool is a poster
such as "The Milky Way at Every Wavelength." Another option
is to buy slides of astronomical objects at different wavelengths
to show students why astronomers use different bands of the spectrum
to bring out specific characteristics in celestial objects.
The
best demonstration I have seen of using different wavelengths to
uncover different properties of objects is to have a local scientist
bring an infrared camera in to your classroom. Don McCarthy of the
Steward Observatory here in Tucson, who has done this for my classes
many times, turns on a soldering iron and leaves it in the back
of the classroom before he starts his demonstration. He then uses
the camera to scan the entire classroom, asking students to identify
what they are seeing. Students are always surprised to notice a
bright, glowing object shining mysteriously from the back of the
room, since the soldering iron gives off no visible light. In lieu
of an infrared camera, you can try using an ordinary camcorder,
whose CCD is sensitive to near-infrared light.
Once
students see light in action, they can investigate its properties
- such as frequency, wavelength, and interference - with wave experiments.
Students create their own waves on a Wave Demonstrator (commonly
known as a Slinky) or in a tank of water (old PSSC ripple tanks
are still useful). Either springs or water waves can demonstrate
reflection and refraction, while diffraction is best done with the
water tank and a few wood blocks. A rubber hose bent into a parabola
and laid half submerged in the water shows how incoming parallel
waves arrive at a focal point and, conversely, how circular waves
generated at the focus produce outgoing parallel waves. Playing
with springs and water waves can give kids a three-dimensional sense
for what waves are. Then teachers can discuss how velocity, wavelength,
frequency, and energy are related mathematically.
The
study of light should, after all, be hands-on. Once students understand
the basic principles, they can go on to study the Sun, the H-R diagram
[see "Stars Never Die, They Just Love Their Gas," May/June
1996, p. 8], and the beautiful images from Hubble and other observatories.
These scientific instruments, cranking out voluminous amounts of
data, provide breathtaking glimpses of the unseen universe by using
different wavelengths of the electromagnetic spectrum. Each camera
is like a different set of eyes linked to our original ones by radio
transmitters and computers. Teachers of science should strive to
give their students basic understanding about light and color so
that they too will see the universe through different eyes, to perceive
the intrinsic beauty and hidden truth in what they see.
JEFFREY
F. LOCKWOOD
is a high-school and college astronomy and physics teacher at Sahuaro
High School and Pima Community College in Tucson, Ariz. His email
address is iplockwood@aol.com.
For
more ideas about teaching light, see "There's
More to Light Than Meets the Eye," The Universe in the
Classroom, summer 1996, available at the ASP's web site.
|